Philippe Croq likes large formats, he lets himself be “blinded, his field of vision merges with the painted surface”.

Philippe Croq questions the limits of disfiguration, the pictorial and poetic balance of each painting, the force that possesses it or that emerges from it are among his main concerns. It is often the interweaving of lines, of vegetal, organic or human forms barely sketched on the surface of the paper that allow him to question the uncertainty of being….